The Buddhist philosophy of causality is primarily a theory (naya) of the human world. Its methodology, however, is objective and critical. It rejects the weight of mere authority or tradition, relies upon experience and reason, and emphasizes the critical examination and verification of all opinions. Although the Buddhist conception of knowledge and truth has a strong empirical and pragmatic bias (cf. Nyāya‐bindu 1.1), its conception of experience does not exclude introspection, rational intuition or mystical intuition (cf. Nyāya‐bindu 1.7–11). Although its (...) conception of reason creates a logical gulf between reason and experience, the gulf is bridged by a transcendental illusion (avidyā). Its employment of reason is highly analytical and it seeks to discover the ultimate elements constituting the structures of objects and experience. The constituent elements as the locus of causation are regarded as more real than their composite structures – dharma, dhātu or kṣana as contrasted with saṅghāta or santāna. At the same time, it raises dialectical questions and seriously considers the possibility of the empirical world being merely a working illusion. It discounts the apparent stability of objects, stressing their transience, finally defined as momentariness (see, for example, Ratnakīrti's Kṣaṇa‐bhaṅgasiddhi). It rejects the category of substance for that of process. Causality is thus regarded not as a dynamic interaction between substances, but as a functional, many‐one relationship of order characterized by invariance and uniformity within any given type of process. (shrink)

The two volumes together may be described as search for the original ideational foundations of Indian Culture. In one way this work recalls the tradition of Coomaraswamy but seeks to join it to the mainstream of critical history. It argues that the living continuity of Indian Culture is rooted in a unique spiritual vision and social experience. Indian Culture is neither the result of merely accidental happenings through the centuries, nor a mere palimpsest of migrations and invasions. It is, in (...) its essence, a development of foundational ideas constituting a creative matrix. Behind its changing historical forms lies a deep and persistent source of creativity which is spiritual in character. The Present volume I deals with the spiritual vision and symbolic forms. Here is has been upheld that the spiritual vision of India had two original aspects, the integral or synoptic vision of the Vedas, and the Sramanic vision of Transcendence. Purnata and Sunyata constituted the two poles round which Indian spirituality revolved. The author not only elucidates this bipolar matrix of Indian spirituality revolved. The author not only elucidates this bipolar matrix of Indian spiritual praxis or sadhana, but also traces its intricate ancient history. He goes on to trace the great symbolic forms-language, myth, science, literature and art-in which this basic vision expressed itself. In all these areas he brings out the basic general principles expressive of inner consciousness rather than present a mere selection of well-known details. (shrink)